Blackmagic pocket cinema camera 4k lenses: If you’re looking for lenses for your Blackmagic Pocket Cinema Camera 4K, I’ve put together a list of some of my favorite options available. These are all very affordable and easy to use.
Panasonic Lumix G Vario 12-35mm f/2.8
The Panasonic Lumix G Vario 12-35mm f/2.8 lens is a great option for the Blackmagic Pocket Cinema Camera 4K, but it’s not the first thing to come to mind when you think of this camera.
That said, it’s a solid performer that offers excellent image quality at every focal length and aperture setting.
The lens comes with an MFD of 20 feet/6 meters which means you can get close to your subject without worrying about getting too close or too far away from them (which would be hard given how small this camera is).
It also has optical stabilization so you won’t need an extra body stabilizer on top of yours when using this product with your BMPCC 4K!
Sigma 20mm F1.4 DG HSM Art for Micro Four Thirds
The Sigma 20mm F1.4 DG HSM Art for Micro Four Thirds is a great option if you want to shoot with a wider angle lens, but don’t want to spend too much money.
It’s one of the cheapest lenses available on the market today, and it packs some impressive specifications for its price point.
The Sigma 20mm F1.4 DG HSM Art for Micro Four Thirds has an aperture range of f/1.4 to f/16 which makes it ideal for low-light situations where there’s not much light available in your surroundings or when you need to isolate subjects from background noise in order to capture high-quality images with good focusing accuracy (which we’ll discuss more below).
The lens features 9 elements including 2 types of glass: one aspherical element and one ED element (Extra Low Dispersion).
Together they provide increased sharpness across all ranges while reducing aberrations caused by other optical components such as chromatic aberration or flare distortion at higher magnifications during zoomed-in shots.
which means that even though this isn’t quite as sharp as some other offerings out there today like say Canon EF 35mm 1:2 L USM Mk II Lens II, it still performs admirably well at its price point!
Samyang Cine DS 14mm T3.1 ED AS IF UMC Lens for Micro Four Thirds
The Samyang Cine DS 14mm T3.1 ED AS IF UMC Lens for Micro Four Thirds is a wide-angle lens that can be used on any camera with the micro four third system.
It has an aperture of T3.1, which means it’s f/3.1 at its widest point and f/11 at its narrowest point (the middle).
This makes it ideal for capturing landscapes or architecture in extreme close-up shots with minimal distortion from perspective issues like barrel or pincushion distortion.
The AS IF stands for “aspherical elements,” which are flat surfaces on the outside of a lens that has been designed to keep light focused within them instead of reflecting off them.
Allowing you to get sharper photos than those taken without these elements present in place; UMC stands for “Ultra Multi Coating,” which reduces flare significantly by applying multiple layers over each surface area; and lastly, we have ED:
Electronics Dispersion Control (EDC) refers to how even distribution across all wavelengths across multiple wavelengths helps create better images overall by reducing vignetting (darkening corners).
Mitakon Speedmaster 25mm f/0.95 Mark II
The Speedmaster 25mm f/0.95 Mark II is a manual focus lens, so you have to manually adjust the focus with it.
This isn’t necessarily bad as long as you know how to do it; however, if you’re not comfortable with manual focusing, this might not be the best option for you.
The Mitakon Speedmaster 25mm f/0.95 Mark II does have an aperture of f/0.95 which makes it great for low-light situations but also means that there’s some blurriness when shooting wide open at night or indoors in dim light settings (which happens often).
However, if you want something that can shoot fast-moving subjects then this would be perfect!
Tokina Cinema Vista 35mm T1.5 FF
The Tokina Cinema Vista 35mm T1.5 FF is a manual focus lens with a fixed f/1.5 aperture, which means you can focus manually on your camera or follow the focus ring in live view mode.
It also has a manual aperture ring that lets you choose between f/1.5 and f/22 when filming in bright light or at night respectively (the maximum is open at its widest setting).
The lack of autofocus or image stabilization means that this is not an ideal lens for video recording applications but it’s great for still photography thanks to its fast maximum speed of T1.5 without any image-stabilization technology built into it like most other lenses do today;
This makes it perfect for low light conditions where even slow shutter speeds would cause blurriness due to movement within the frame caused by handshaking (which happens when using longer focal lengths).
Contax Zeiss Distagon T* 28mm f/2
The Contax Zeiss Distagon T* 28mm f/2 is a great wide-angle lens for the Blackmagic Pocket Cinema Camera 4K.
It has the sharp image quality and provides decent video capture when used with an external recorder like the GH5 or 6K+.
The aperture can be opened up to f/2 (f-stop) which makes it ideal for low-light situations where you need more depth of field than what a simple shutter speed will allow.
The lens hood comes included in the box so you’ll have no problem protecting this expensive piece of equipment while shooting in difficult conditions:
Voigtländer Nokton 17.5mm F0.95 MFT Lens
This lens is a Voigtländer Nokton 17.5mm F0.95 MFT Lens that can capture gorgeous images with its f/0.95 aperture and minimum focus distance of 0.7m (2ft).
The price tag is $1,295 but it’s made by Cosina which means you know it’s going to be top quality!
The kit comes with an adapter ring for mounting onto your Blackmagic Pocket Cinema Camera 4K or other cameras with M42 screw mounts like the Sony A7S II and Nikon D850 among others!
SLR Magic HyperPrime CINE 12mm T1.6 MFT Lens
The SLR Magic HyperPrime CINE 12mm T1.6 MFT Lens is an ultra-wide angle lens with a focal length of 12mm, which makes it perfect for capturing those wide shots you need in your videos.
With its fast f/1.6 aperture, you can shoot in low light without having to increase ISO or use ND filters to reduce the amount of light coming through your camera’s lens.
Additionally, this lens has manual focus and iris rings so that you can control both manually when filming hand-held as well as during editing once the footage has been captured on set!
These lenses work great with the Blackmagic camera
These lenses are small, lightweight, and all manual focus.
They are also fast (f/1.4 at the widest) which means you’ll have a nice shallow depth of field to work with when shooting close-ups or wide shots.
The Blackmagic pocket cinema camera 4K is designed to be used with these types of lenses so you can get great quality images at an affordable price point without having to spend thousands on an expensive camera rig or lens collection from another brand!
If you’re looking for a new camera, I hope this review has given you some great ideas.
I have personally used the Blackmagic Pocket Cinema Camera 4K and found it to be an amazing little device that works well in any situation.
It is lightweight enough for travel but also has many features that make it stand out from other cameras on the market today.
If you are interested in using these lenses with your new camera then check out our store page where we have all of them listed along with other products like batteries or cases!